Front PageBusinessArtsCarsLifestyleFamilyTravelSportsSciTechNatureFiction
Search  
search
date/time
Sat, 12:00PM
scattered clouds
8.0°C
WNW 22mph
Sunrise5:47AM
Sunset6:31PM
Steve Whitaker
Features Writer
@stevewhitaker1.bsky.social
P.ublished 28th March 2026
arts

Poem Of The Week: Thirlmere By Rhiannon Hooson

Thirlmere

After we lit the last candle
the gales couldn't hold us any more.
Along the lanes the walls had begun
to slump, water sluicing through them
green as grass, but we drove
through anyway and out into the valley.

The fields were polished flat.
Trees were hung with drooping ropes
of fleece that caught the breeze like kudzu.
Banks of shale sprawled
draining across the roads, and the sky
was open, dizzying and blue, tall into the air
above the crowns of our heads,

and the slate face of the lake
was the same as always. Lakes survive
any flood, lie oblique in their hollows,
streaked with the half-truths of glimpsed reflections.
The birds were only then beginning to sound.
All across the fields the trees were burning.


Photo by Johnny Gios on Unsplash
Photo by Johnny Gios on Unsplash
Rhiannon Hooson's poetic vision is apocalyptic; a sense of premonition, of foreboding, is precipitated by climatic phenomena whose presence overwhelms form and feature in the Lakeland landscape. Here, a drama of inundation is rendered dynamic, as if the terrain itself were an embodiment of blind fury.

Rendered powerless in the maelstrom, Hooson's narrator is impelled, like the Ted Hughes of 'Wind', by an anthropomorphic agency: the flame of a 'last candle' actuates a drama that concludes with the surreal but resonant symbolism of burning trees, as the poem's metre rolls steadily, yet erratically, as if pausing for taken breath in a storm.

Hooson's images are startling, resonant, calculated to draw the eye to the vertiginous detail of an upended valley: the fields 'polished flat', the hanging fleeces, the 'half-truths' of glimpsed reflections on the lake's surface, that confer, on the vast reservoir that was built to feed the maw of Manchester's demand for water, a near-redemptive sheen.


'Thirlmere' is taken from The Other City, published by Seren (2016) and is reproduced here with the kind permission of the publisher.

More information here.